作家 髙橋玉恵 Artist Tamae Takahashi






This time, I’d like to introduce you to Tamae Takahashi, a contemporary art artist.

While working at Gallery SUDOH, she has been actively developing her artistic activities through solo and group exhibitions, as well as exhibiting overseas.

Her works are refreshing and clean, and every time you see them you can feel a fresh breeze!

I hang them in my bedroom and at the entrance.





1967    神奈川県生まれ

1990    玉川大学芸術学科美術専攻染色コース卒業


2003  すどう美術館 (銀座)

2004  Winter and Winter showroom (ミュンヘン)

2005  すどう美術館 (銀座)

2009  ギャラリーび~た (京橋)

2011    すどう美術館 (小田原)

2012   ギャラリィ無有斎 (門前仲町)

グループ展 (近年)

2012  JAPON CONTEMPORANEO la galeria de Guadalajara(スペイン) 同’13

     未来へ げんきアート展 (岩手県山田町、大槌町) 同’13’14’17

     3次元の蟻は垣根を超える すどう美術館(小田原)

     同’13 vol.2 寄木ギャラリーツユキ(小田原)

2013     Rich Seasons オリエ アート・ギャラリー(青山)

2017     Lady Go! (箱根芸術空間 風伯)

2021     小田原もあ10周年アーカイブ展 小田原駅東口図書館

     百花 セッションハウス (神楽坂)

2022  百花for Noriko Sudoh 落合館 (山北町) 企画 展示


I‘d like to show human’s energy for life toward the future, which could create unlimited possibilities, applying many layers of touch of watercolor.


Tamae Takahashi 

1967   Born in Kanagawa Japan

1990  Graduated department of textile art at Tamagawa University.

Solo exhibition
2003     Gallery SUDOH(Tokyo)

2004  Winter and Winter showroom (Munich)

2005    Gallery SUDOH(Tokyo)

2009     Gallery Vita(Tokyo)

2011  Gallery SUDOH(Odawara)

2012  Gallery MUSAI(Tokyo)

Group exhibition (recent years)

2012      JAPON CONTEMPORANEO  (Guadalajara, Spain) ’13

     GAPPE exhibition for disaster area for east part of JAPAN (Iwate) ’13’14’17

     Art and craft collaboration vol.1 Gallery SUDOH(Odawara)

     ’13 vol.2 Yosegi Gallery Tsuyuki(Odawara)

2013      Rich Seasons(ORIE art gallery)


2021      the 10th anniversary of Art and craft collaboration (Library in Odawara station)

Hyakka Session House (Kagurazaka)

2022 Hyakka for Noriko Sudoh ,Ochiai Kan (Yamakita-machi)






I visited her studio and listened to her stories and explanations of her works.

Hearing what’s behind the work, which is not easy to hear, makes the work feel fresher!

It takes less than 10 minutes to watch the entire first and second parts, so please take a look at !!

I’ve known her for 20 years, but there was a fact that I didn’t know.

「現代アートのアトリエから No.1 」 「From one of a contemporary art studio. No.1」

「現代アートのアトリエから No.2 」「From one of a contemporary art studio. No.2」

















Here are the details of the interview that I couldn’t share on YouTube!

☆What is a theme or a concept when you work?

As a student of senshoku (dyeing) at university, I started making works almost trying to express something visible, like surrounding seasonal views.

And, when working on a graduation piece, I came across a material called silk organdy, which led me to trying an expression of colors or shapes seen through layers of cloth sheets. This sense of colors I got then still works for my production today.

Graduating from the university, I worked using paper as a support for some time, and began to try an expression of something invisible, such as feeling or emotion of my own. Though I now use different materials, the sense for colors, shapes, patterns or working method is even now based on the experience I got with senshoku.

In 2003, I had the first solo exhibition, a start of my career presenting some works. But, in the year, my mother got ill, and I inevitably became aware of human life everyday thinking of various matters — I realized that man’s life force has enormous potentiality or great possibility. The experience at that time is to have a strong influence on my production, working as a subject matter. Even today, this thought remains basic to my artistic activity.

Another big influence on my work is an experience that I was engaged in Higashi Nihon Genki Art Project for the area stricken in Great East Japanese Earthquake; artists and musicians did supporting activities through exhibitions and concerts. Though wondering how the residents there who experienced such a great terror would accept our art or music presented during our very brief stay, we unexpectedly received not a few favorable responses from them, such as “We were relieved even for a moment” and ” Your music and art gave us a start of looking forward.” We confirmed that art or music can be helpful for people. I have come to believe “there must be more roles expected of art.”


While these two experiences are definitely a basic to my activities and a motive of creating works, I work according to things I feel I want to express for now.

☆What do you think of when you’re working? 

I try to be faithful to my nature as much as possible, and think about what I want to express and how I can do it. I face to the canvas in good breathing. I’d like to make things naturally coming out of myself into a work using paintbrush.  

☆As an artist, where do you find a joy?  What motivates you to keep working?

I find extreme joy in making a work as I wanted, and succeeding in conveying something to viewers through the work I presented. The joy is one of my precious motivations to work.

☆How do you enjoy your own work or other artists’?

A work has much energy; a work I hang at home somehow gives me a power, and makes my daily life more pleasant or refreshed. This is such a sense as I feel I’m glad seeing a work, whether or not the work is done by me. Works by others seem to let me feel the artist closer to myself.




Notes after the interview

I first met Ms. Takahashi 20 years ago as a coworker working together at Gallery SUDOH.

She has had many solo and group exhibitions as an artist, and is committed to exhibitions and projects from the standpoint of both the artist and the Gallery.

As I interviewed her, I learned about her core thoughts and feelings, and I think I now understand why her work is so light, yet powerful.

協力 すどう美術館 Gallery SUDOH

関連記事 髙橋玉恵 作品 Tamae Takahashi Artworks

(注) 作品の著作権は、作家にあります。複製、無断転載等はご遠慮下さい。

(Caution)The copyright of the works is held by the artist. Please do not reproduce or reprint without permission.